WEBSITE TABS — 4-SENTENCE DESCRIPTION OF EACH ONE
PAGE-BY-PAGE WEBSITE EXPLAINER
4 Sentences Per Page — All Team Members Edition
collabtunes.com · Built Fresh 05.28.26
433 Songs · 34 Albums · 29 Years · G through X · FREE to Use
HOW TO USE THIS DOCUMENT
Every page on collabtunes.com is described here in exactly 4 sentences.
Sentence 1: What the page IS.
Sentence 2: What it CONTAINS.
Sentence 3: Who it is FOR or how it FITS into the project.
Sentence 4: Why it MATTERS or when to use it.
Built fresh on 05.28.26 from live site scan. More current than any archived version.
SECTION 1 — HOME AND MAIN NAVIGATION
1HOME
Collaborhythm Collabtunes Home
1The main landing page of collabtunes.com — the first thing any visitor sees when they arrive at the site.
2It contains the gold and black entry block showing the project stats: 433 songs, 34 albums, 29 years of work, G through X content ratings, and FREE to use.
3Below the entry block is the full site navigation menu and the complete Switchboard — a searchable directory of every page on the site with COPY and GO buttons.
4This is the command center of the entire project and the page Tom shares when pitching the site to anyone.
2BRIEF INTRO
/brief-intro/
1A short one-page overview of what Collaborhythm Collabtunes is and who Tom Jensen is.
2It explains the project in plain language — 29 years, 433 songs, 34 albums, free to use with one condition: credit Tom Jensen.
3This is the recommended first stop for any new visitor, collaborator, musician, or business contact who needs to get up to speed fast.
4Think of it as the elevator pitch in page form.
3WHAT'S ON COLABTUNES.COM — SITE NAVIGATOR
/what-s-on-collabtunes.com-site-navigator-made-easy/
1A plain-English guide to every section of the website, written so that anyone can understand where to go and why.
2It tells visitors which pages to visit depending on what they want — read lyrics, find business info, watch videos, download the book, or contact Tom.
3No jargon, no technical language — designed for a first-time visitor who has never heard of the project.
4This page functions as the human-readable companion to the Switchboard.
4SWITCHBOARD — QUICKLINKS TO EVERY PAGE
/switchboard-quicklinks-to-every-page-of-website/
1The master navigation hub of the entire website — a searchable, filterable directory of every URL on the site.
2Each entry has a COPY button to grab the link and a GO button to open the page directly, organized into categories like Song Lists, Set Lists, Book Sections, and more.
3The Switchboard also contains 15 'fun buttons' at the top linking directly to the most important and most visited pages.
4This is the page Tom and the team use most for navigation, sharing links, and verifying what is live.
5. FAST SCROLL — ALL WEBSITE TABS, HEADINGS AND SECTIONS
/fast-scroll-all-website-tabs-headings-and-sections/
1One long vertically scrollable page listing every tab, heading, and section across the entire website.
2It is designed for rapid orientation — you can scroll through the entire site architecture in under two minutes.
3No buttons, no interaction required — just a clean continuous list for fast visual scanning.
4Useful for team members doing audits, for Tom when reviewing structure, and for anyone who wants to see the full scope at a glance.
6. 128 SECTION WEBSITE NAVIGATION MAP
/128-section-website-navigation-map-w-section-descriptions/
1A fully annotated map of all 128 or more sections of the website, with a description of what each section contains and what it is for.
2This is the most detailed structural overview of the entire site — it goes deeper than the Fast Scroll by explaining purpose, not just listing names.
3Useful for onboarding new team members, briefing collaborators before meetings, and planning future development work.
4Think of this as the architectural blueprint of the whole project in one place.
7. WEBSITE MISSION STATEMENT
/website-mission-statement/
1A one-page statement of purpose for collabtunes.com — why it exists, what it is trying to accomplish, and who it serves.
2It frames the project as a lyric catalog, a collaboration framework, a business structure, and an invitation to musicians.
3This page sets the philosophical and operational tone for everything else on the site.
4Anyone who wants to understand the 'why' behind the project should read this first.
8. PLACES I'M GOING
/places-i-m-going/
1A list of platforms, venues, publishers, record labels, and people that Tom is actively pitching or planning to contact.
2It shows the outreach direction of the project — where the catalog is headed and who Tom is trying to reach.
3This page is useful for team members coordinating outreach and for collaborators who want to understand the business development strategy.
4It also serves as a public accountability document — Tom putting his intentions on record.
9. CONTACT
/contact/
1The official contact page for Collaborhythm Collabtunes — a form and contact information for reaching Tom Jensen directly.
2Musicians, producers, publishers, and collaborators can use this page to start a conversation about using the lyrics or working on the project.
3It is intentionally simple and accessible — no gatekeeping, no complicated process.
4This is the page Tom points to at the end of every pitch.
SECTION 2 — SONG LISTS (Albums 1–10)
10. SONG LIST 1 — THE LAST MAN SINGING
/song-list-1/
1The first of ten Song Lists — the full tracklist with lyrics for Album 1 of the Collaborhythm catalog.
2This album represents some of Tom's earliest work and establishes the storytelling-first, narrative-driven style that runs through the Song List series.
3The content rating is in the G to PG range — accessible to nearly any audience, folk and country leaning.
4The title 'The Last Man Singing' frames the album as a statement of stubborn creative survival.
11. SONG LIST 2 — SHEILA TEQUILA
/song-list-2/
1The second Song List album — named after a character who appears in the lyrics.
2This album blends humor and heartbreak, with a cast of characters and situations drawn from everyday American life.
3Content rating is in the PG range — accessible but with some mature emotional themes.
4The 'Sheila Tequila' character gives the album a specific voice and personality that carries through the whole collection.
12. SONG LIST 3 — A DAY AT THE OFFICE
/song-list-3/
1The third Song List album — built around workplace frustration, bureaucracy, and the absurdity of ordinary working life.
2Tom uses the office as a setting to explore larger themes of ambition, conformity, and quiet desperation.
3Content rating is PG to PG-13 — some sharp observations but nothing explicit.
4One of the more accessible and relatable albums in the catalog for general audiences.
13. SONG LIST 4 — A TRAVELER IN THE DISTANCE
/song-list-4/
1The fourth Song List album — journey and distance are the central themes throughout.
2The album has a road-trip feel, cinematic and reflective, built around movement, departure, and what gets left behind.
3Content rating is PG to PG-13.
4This album tends to appeal strongly to musicians working in Americana, folk rock, and cinematic singer-songwriter genres.
14. SONG LIST 5 — LOVE WITHOUT A DOUBT
/song-list-5/
1The fifth Song List album — a collection of earnest, direct love songs written without irony or detachment.
2Tom commits fully to the emotional sincerity of these lyrics, which makes them rare and commercially useful.
3Content rating is G to PG — one of the cleanest and most broadly accessible albums in the entire catalog.
4Strong candidate for pop, country, adult contemporary, and wedding-related music productions.
15. SONG LIST 6 — UNDERTOWS AND AFTERGLOWS
/song-list-6/
1The sixth Song List album — focused on emotional aftermath, the feeling that comes after the big moment has passed.
2Undertows pull you under; afterglows are what remains when the fire goes out — this album lives in both of those spaces.
3Content rating is PG to PG-13.
4Emotionally resonant for listeners going through transitions, recoveries, or the quiet period after major life events.
16. SONG LIST 7 — HIGH TIDES AND LANDSLIDES
/song-list-7/
1The seventh Song List album — natural disaster metaphors for emotional turmoil.
2High tides and landslides represent forces that are overwhelming, unstoppable, and transformative rather than merely destructive.
3Content rating is PG-13 — bigger emotional swings and more intense imagery than earlier Song Lists.
4This album works well for dramatic, atmospheric, or cinematic music productions.
17. SONG LIST 8 — A KNIGHT FOR A LADY
/song-list-8/
1The eighth Song List album — built around chivalry, devotion, and the desire to protect someone you love.
2The 'knight' framing is not ironic — Tom plays it straight, which gives these lyrics an unusual and striking sincerity.
3Content rating is PG — romantic and emotionally charged but clean.
4Strong candidate for love songs, ballads, and music aimed at adult contemporary or country audiences.
18. SONG LIST 9 — BETWEEN US AND LOVE
/song-list-9/
1The ninth Song List album — about the obstacles, misunderstandings, and distances that exist between people who want to be closer.
2The album does not resolve its tensions neatly — it sits in the bittersweet space between connection and separation.
3Content rating is PG to PG-13.
4Works well for musicians interested in nuanced relationship narratives that avoid cliche.
19. SONG LIST 10 — ONE PIECE MISSING
/song-list-10/
1The tenth and final Song List album — built around the feeling of incompleteness, the thing that is always just slightly absent.
2The 'one piece missing' is never named — it functions as a universal placeholder for whatever the listener has lost or cannot find.
3Content rating is PG-13.
4This album closes the Song List series on a note of unresolved longing, which gives it unusual staying power.
SECTION 3 — SET LISTS (Albums 1–24)
20. SET LIST 1 — GLASS HALF SOMETHING
/set-list-1/
1The first of 24 Set Lists — built around the tension between optimism and ambivalence.
2The title refuses to commit to 'half full' or 'half empty' — the whole album lives in that deliberate uncertainty.
3Content rating is mid-range — PG-13 in places.
4A strong entry point into the Set List catalog for new listeners because of its approachable emotional tone.
21. SET LIST 2 — PLURALITY
/set-list-2/
1The second Set List album — exploring identity, multiplicity, and the idea that a person contains many contradictory selves.
2Philosophically ambitious, this album asks what it means to hold conflicting truths simultaneously.
3Content rating is PG-13.
4Appeals to listeners and musicians interested in introspective, intellectual lyric writing.
22. SET LIST 3 — SELF IN THE MIRROR
/set-list-3/
1The third Set List album — a deep look at self-examination, self-deception, and the gap between who we are and who we think we are.
2The mirror is not flattering in these songs — Tom does not let himself or his characters off the hook.
3Content rating is PG-13.
4One of the more psychologically complex albums in the catalog.
23. SET LIST 4 — PARTNERED TO THE CRIME
/set-list-4/
1The fourth Set List album — about complicity, co-dependence, and the way two people can be equally responsible for the damage in a relationship.
2No heroes here — both parties are implicated.
3Content rating is PG-13.
4Strong material for musicians interested in relationship songs with moral complexity and no easy answers.
24. SET LIST 5 — LIVING A LA MODE
/set-list-5/
1The fifth Set List album — an ironic, observational look at style, surface, and living for appearances.
2'A la mode' means both 'fashionable' and 'with ice cream' — the album plays with that double meaning throughout.
3Content rating is PG-13.
4Dry humor and sharp social observation make this one of the more distinctive albums in the catalog.
25. SET LIST 6 — DEFINITELY NOT LOVE
/set-list-6/
1The sixth Set List album — a collection of anti-love songs built around denial, avoidance, and the messy space of not-love.
2These songs are about people who refuse to admit what they are feeling — and the chaos that creates.
3Content rating is PG-13.
4Commercially useful for musicians looking for love-adjacent material with a twist.
26. SET LIST 7 — TRAIN OFF THE TRACKS
/set-list-7/
1The seventh Set List album — chaos, derailment, and things falling apart at high speed.
2The train metaphor runs throughout — forward momentum meeting catastrophic failure.
3Content rating is PG-13 to R — higher energy and more intense than earlier Set Lists.
4Strong material for rock, alternative, and high-energy musical productions.
27. SET LIST 8 — BOSS LOGIC
/set-list-8/
1The eighth Set List album — power dynamics, authority figures, and the logic that people in control use to justify their control.
2Covers workplace hierarchy, personal dominance relationships, and the way power warps communication.
3Content rating is PG-13 to R.
4Commercially interesting for musicians working in hip hop, rock, or protest-adjacent genres.
28. SET LIST 9 — THRALLS OF THE FLAME
/set-list-9/
1The ninth Set List album — obsession, compulsion, and being pulled toward something you know will destroy you.
2The 'flame' is whatever your weakness is — the album never specifies, which makes it broadly applicable.
3Content rating is R — dark and intense.
4Strong material for musicians working in darker emotional territory.
29. SET LIST 10 — GO ASK GRAMM
/set-list-10/
1The tenth Set List album — built around a named character called Gramm who represents hard-won generational wisdom.
2The album explores the tension between what older generations know and what younger generations refuse to hear.
3Content rating is PG-13.
4One of the more character-driven and narrative-focused albums in the Set List catalog.
30. SET LIST 11 — NOISE, LIES AND LONGING
/set-list-11/
1The eleventh Set List album — communication breakdown, deliberate deception, and the ache of wanting what you cannot have.
2Noise, lies, and longing are three different kinds of interference between people — the album maps all three.
3Content rating is R.
4Emotionally heavy material that rewards careful listening and works well in slow-burn musical productions.
31. SET LIST 12 — WOUNDED MASCULINITY (SILHOUETTES OF PRIDE)
/set-list-12/
1The twelfth Set List album — a direct examination of masculinity: the damage it does to itself, the pride it uses as armor, and the grief underneath.
2This is not a takedown — it is a portrait, and it treats its subject with the complexity it deserves.
3Content rating is R.
4Important and commercially timely material for musicians working in any genre that touches on identity and gender.
32. SET LIST 13 — POWER SHIELDS
/set-list-13/
1The thirteenth Set List album — about the psychological defense mechanisms people use to protect themselves from vulnerability.
2Power shields are the things we hide behind — status, anger, humor, coldness — when we cannot afford to be seen.
3Content rating is PG-13 to R.
4Psychologically sophisticated material useful across a wide range of musical genres.
33. SET LIST 14 — 6,000KM TO DK
/set-list-14/
1The fourteenth Set List album — a long-distance love story framed by geographic separation, specifically the distance to Denmark.
26,000 kilometers is both literal and metaphorical — the physical distance stands in for emotional distance, time zones, and all the ways people miss each other across space.
3Content rating is PG-13.
4Strong commercial appeal for love song writers, pop producers, and anyone working with international or cross-cultural themes.
34. SET LIST 15 — LIMINAL STATE
/set-list-15/
1The fifteenth Set List album — built entirely around in-between moments: transitions, thresholds, and the waiting space between what was and what comes next.
2Liminal means 'at the threshold' — these songs live there permanently, never fully arriving.
3Content rating is PG-13 — atmospheric and introspective.
4Particularly useful for musicians working in ambient, indie, or cinematic styles.
35. SET LIST 16 — KNEEL, HEAL AND RISE
/set-list-16/
1The sixteenth Set List album — a three-part arc of submission, recovery, and resurrection.
2The sequence matters: you have to kneel before you can heal, and you have to heal before you can rise.
3Content rating is PG-13 to R — spiritual undertones and intense emotional material.
4Strong appeal for gospel-adjacent, inspirational, or recovery-themed musical productions.
36. SET LIST 17 — SMIRKS, SWEARS, MOANS AND CRIES
/set-list-17/
1The seventeenth Set List album — the full emotional range from dark humor to raw grief, all in one collection.
2The title maps the spectrum: smirks are the jokes, swears are the anger, moans are the longing, and cries are the grief.
3Content rating is R to NC-17 — explicit in places.
4One of the most emotionally diverse albums in the catalog and one of Tom's personal favorites.
37. SET LIST 18 — CORRUGATION ROW
/set-list-18/
1The eighteenth Set List album — gritty, textured, and working-class in its emotional register.
2Corrugation suggests roughness, ridges, things that have been pressed and shaped by hard use.
3Content rating is R — earthy and grounded.
4Strong appeal for musicians working in blues, roots rock, and Americana traditions.
38. SET LIST 19 — DELLA OF TROY
/set-list-19/
1The nineteenth Set List album — a named-character album built around Della, a figure given mythological scale.
2The 'of Troy' framing connects the album to the epic tradition — love that causes catastrophe, beauty that starts wars.
3Content rating is PG-13 to R.
4One of the most narratively ambitious albums in the catalog.
39. SET LIST 20 — THE COST OF LIGHT
/set-list-20/
1The twentieth Set List album — about what it costs to be seen, to tell the truth, to be visible in the world.
2Light here means honesty, exposure, and clarity — and the album argues that all of those come with a price.
3Content rating is R — heavy themes.
4Philosophically rich material that works well for musicians interested in truth-telling and vulnerability as subjects.
40. SET LIST 21 — A COLD PLATE
/set-list-21/
1The twenty-first Set List album — dry, dark, and built around the image of leftovers: what gets served last, what nobody wanted, what remains.
2A cold plate is what you get when you arrive late or when nobody saved you anything — the album explores all the ways people get left out.
3Content rating is R.
4Dark humor and social observation make this one of the more distinctive albums in the later Set List catalog.
41. SET LIST 22 — INHERENT ABSENCE
/set-list-22-inherent-absence/
1The twenty-second Set List album — built around absence as a presence, loss as something you carry rather than something that is gone.
2The word 'inherent' is key — this absence is not accidental, it is built into things from the start.
3Content rating is R.
4Philosophically rich and emotionally heavy — strong material for musicians working in grief, loss, and meditation themes.
42. SET LIST 23 — ZIONATION
/set-list-23-zionation/
1The twenty-third Set List album — politically and spiritually charged, exploring identity, belonging, nationalism, and faith.
2The title is deliberately provocative — it invites the listener to examine their assumptions about who belongs where and why.
3Content rating is R to NC-17 — complex and potentially polarizing content.
4Important material that requires careful context when pitching to musicians or audiences.
43. SET LIST 24 — BI RIDE OR DIE
/set-list-24-bi-ride-or-die/
1The twenty-fourth and final Set List album — LGBTQ+ themes, bisexual identity, loyalty, and love without apology.
2The 'ride or die' framing is about total commitment — these songs are for people who show up completely, no matter what.
3Content rating is R to NC-17.
4Culturally important and commercially timely — strong appeal for LGBTQ+ artists, allies, and progressive music productions.
SECTION 4 — BOOK SECTIONS
44. 1 OF 35 — DEDICATION, COPYRIGHT AND MANIFESTO
/1-of-35-dedication/
1The opening pages of the complete book — Tom's dedication, the legal copyright statement, and the manifesto explaining the philosophy of free lyric use.
2The manifesto establishes the core rule: lyrics are free, attribution is mandatory, profit sharing applies when music is made.
3This section sets the legal and philosophical foundation for everything else in the project.
4Anyone considering using Tom's lyrics should read this section first.
45. 2 OF 35 — WHO TOM IS
/2-of-35-who-tom-is/
1A biographical section introducing Tom Jensen — his background, his life in Salem Massachusetts, and why he has been writing for 29 years.
2This is not a polished press bio — it is honest, direct, and personal.
3It explains the human being behind the catalog, which is important for potential collaborators who want to understand what they are getting into.
4Read this before reaching out to Tom.
46. 3 OF 35 — INTRODUCTION
/3-of-35-introduction/
1The full introduction to the Collaborhythm Collabtunes project — why it exists, what it is trying to accomplish, and how to use the book and website.
2This section provides the roadmap for navigating the entire catalog.
3It is longer and more detailed than the Brief Intro page and assumes the reader is committing to engage seriously with the material.
4Essential reading for musicians, producers, and business contacts who are considering a serious collaboration.
47. 4 OF 35 — WHAT COMMUNITY SAYS
/4-of-35-what-community-says/
1Testimonials, responses, and feedback from people who have read Tom's work.
2This section provides social proof and external validation for the quality and impact of the catalog.
3It shows that real people have engaged with this material and found it meaningful.
4Useful for pitching the project to skeptical collaborators or investors.
48. 8 OF 35 — FULL TEXTS OF LYRICS
/8-of-35-full-texts-of-lyrics/
1The core content of the entire project — the complete lyrics for all songs across all 34 albums.
2This is the longest section of the book and the foundation that everything else is built on.
3Every lyric is presented in full, in album order, rated and organized.
4This is what musicians come here for.
49. 9 OF 35 — ROLLING STONE STYLE ALBUM REVIEWS
/9-of-35-rolling-stone-style-album-reviews/
1Professional-quality music journalism-style reviews of each of the 34 albums, written in the Rolling Stone critical tradition.
2These reviews cover themes, standout tracks, emotional arc, sonic comparisons, and critical assessment.
3They were developed with AI assistance and provide the kind of context that helps musicians and producers evaluate the catalog quickly.
4Useful for pitching to record labels, music supervisors, and producers who need a fast professional overview.
50. 14 OF 35 — TRACKS LISTED BY CATEGORY
/14-of-35-tracks-listed-by-category/
1Every track across all 34 albums sorted and listed by theme and topic category.
2Categories include love, loss, anger, humor, political, spiritual, identity, work, and many more.
3This page is the fastest way to find songs on a specific subject without reading through the full catalog.
4Extremely useful for musicians or music supervisors who need songs that fit a specific brief.
51. 18 OF 35 — BUSINESS PLAN
/18-of-35-business-plan-and-21-page-summary/
1The full business plan for the Collaborhythm Collabtunes project including revenue model, licensing framework, collaboration structure, and growth strategy.
2It covers multiple revenue streams: licensing fees, collaboration agreements, merchandise, live events, publishing, and future AI-assisted discovery.
3The plan is intentionally artist-centered and musician-friendly — built for bottom-up growth rather than top-down label control.
4Essential reading for Tony and any investor or business contact being brought into the project.
52. 21 OF 35 — WHAT TOM WANTS
/21-of-35-what-tom-wants/
1A direct, honest statement from Tom about what he is looking for from this project.
2He names the types of collaborators, musicians, producers, publishers, and partners he wants to work with.
3This is not vague — Tom is specific about his goals, his terms, and what a successful outcome looks like for him.
4Read this before approaching Tom with a collaboration proposal.
53. 23 OF 35 — SONGWRITER COMPARISONS
/23-of-35-songwriter-comparisons/
1A ChatGPT-assisted analysis comparing Tom's lyric writing style to 10 famous songwriters.
2The comparisons help musicians and producers understand where Tom's work fits in the broader songwriting tradition.
3This section is a marketing and positioning tool — it gives collaborators a frame of reference before they read the actual lyrics.
4Also available as a standalone page: My Lyrics Are Similar to These 10 Famous Artists.
SECTION 5 — READ MY STUFF (Best to Worst)
54. READ MY STUFF BEST TO WORST — PAGES 1 TO 50
/read-my-stuff---best-to-worst-first-50-pages/
1The first of ten reading sections presenting Tom's own ranking of his best work — start here for the highest quality lyrics in the entire catalog.
2Tom ranked every piece himself, which means this is not a random sample — it is the material he is most proud of and most confident in.
3Pages 1 through 50 contain what Tom considers his strongest writing across all 34 albums.
4If you only have time to read 50 pages of this catalog, this is the 50 pages to read.
55. READ MY STUFF BEST TO WORST — PAGES 50 TO 500 (SECTIONS 2–10)
/read-my-stuff-best-to-worst-p.-50--100/
1Nine additional reading sections continuing Tom's personal best-to-worst ranking of the full catalog.
2Each section covers 50 pages of material, moving from strongest to weakest as the numbers increase.
3Sections 2 through 10 are still excellent — Tom's 'weakest' work is still far above average — but the quality curve is real.
4Musicians and producers doing deep dives should work through all 10 sections in order.
SECTION 6 — VIDEOS AND MEDIA
56. LYRIC VIDEOS — 50 SONGS ON ONE YOUTUBE VIDEO
/lyric-videos-to-50-songs-on-one-video-on-youtube/
1A single YouTube video containing lyric videos for 50 songs from the catalog, presented back to back.
2This is one of the most efficient ways for a new listener to sample a large portion of the catalog quickly.
3The lyric video format means you can follow the words while hearing them performed.
4Tom uses this link when he wants to give someone a fast, substantial taste of the project.
57. SONG LISTS 1–10 ON ONE VIDEO (7 HOURS)
/song-lists-1-10-on-one-video-7-hours-long/
1A single seven-hour YouTube video compiling all ten Song Lists in full.
2This is the most comprehensive video experience of the catalog — everything from Song List 1 through Song List 10 in one continuous watch.
3Designed for serious listeners, collaborators doing deep research, and anyone who wants to experience the full Song List arc.
4Seven hours is the full scope — this is not a sampler, it is the whole thing.
SECTION 7 — BUSINESS AND PROJECT PAGES
58. BUSINESS PLAN
/business-plan/
1The standalone business plan page — the full revenue model, licensing framework, and collaboration structure for Collaborhythm Collabtunes.
2Covers multiple income streams including licensing, collaboration fees, merchandise, live events, publishing, and future AI tools.
3Written to be understandable to both artists and business contacts — not overly technical, not dumbed down.
4This is the page Tom shares when pitching to investors, labels, or serious business partners.
59. POTENTIAL REVENUE STREAMS
/potential-revenue-streams/
1A detailed breakdown of every way the Collaborhythm Collabtunes project can generate income.
2Goes into more specific detail than the main Business Plan page — individual revenue concepts are explained and sized.
3Covers direct licensing, sync licensing, co-writing fees, merchandise, digital downloads, live performance splits, and future digital products.
4Essential reading for Tony and any financial stakeholder evaluating the project.
60. BUY MERCH AND STUFF
/buy-merch-and-stuff/
1The merchandise page for the project — physical and digital products available for purchase.
2Currently in early stages — the infrastructure is live but inventory is being developed.
3Merch connects fans and collaborators to the project in a tangible way and represents a direct revenue stream.
4Will expand significantly as the project grows its audience.
61. GIVE US MONEY
/give-us-money/
1The donation and supporter page — a direct mechanism for fans and supporters to contribute financially to the project.
2Framed honestly and without pretension — Tom is asking for support directly, not wrapping it in complicated language.
3Supporters who contribute are investing in keeping the catalog free and accessible for musicians.
4One of several revenue streams that does not require a formal licensing agreement.
SECTION 8 — PDF DOWNLOADS
62. FREE DOWNLOAD BOOK — NAMED 34 ALBUMS
/free-download-book-named-31-albums/
1The free downloadable PDF of the complete book covering all 34 albums — the entire written work in one file.
2Anyone can download this for free — no email required, no paywall, no registration.
3This is the most complete single document representation of the Collaborhythm Collabtunes project.
4Tom distributes this link freely as the primary offline version of everything on the website.
SECTION 9 — HOW I GOT HERE
63. HOW I GOT HERE
/how-i-got-here/
1Tom's personal origin story — how he ended up with 433 songs, 34 albums, and 29 years of work, and what brought him to build this site.
2It covers the early years of writing, the long middle period of accumulation, his mother's illness and passing, and the four-month rebuild that led to the May 2026 launch sprint.
3This is the most personal page on the site and gives collaborators a deep understanding of who Tom Jensen actually is.
4Available in multiple versions: short summary, full clean version, and full explicit version.
SECTION 10 — COMING SOON / FUTURE TOOLS
64. FUTURE AI SEARCH TOOLS
https://collabtunes.com/future-ai-search-tools/
1A placeholder page for a planned AI-powered search system that will allow visitors to search across the full 433-song catalog by theme, emotion, keyword, or style.
2This is one of the highest-value future features — it will dramatically improve catalog discoverability for musicians and music supervisors.
3Currently in the planning stage — not yet built.
4This page signals to visitors and collaborators that the site is actively developing toward more powerful tools.
65. FUTURE COMMUNITY FEATURES
https://collabtunes.com/future-community-features/
1A placeholder page for planned community interaction tools — comment boxes, feedback systems, musician meet-ups, and collaboration boards.
2The vision is to turn collabtunes.com from a catalog into a live community where musicians find each other and connect around the lyrics.
3Currently in the planning stage.
4Building community is a long-term priority that comes after the core catalog and business framework are fully stabilized.