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N — Memorabilia
A — Core & Mission (7)
B — Nav Tools & Indexes (14)
C — Switchboards (13)
D — Baseball Cards, Batons, Eras & Tourneys (46)
E — How I Got Here (7)
F — 35-Section Book (37)
G — Videos & Downloads (7)
H — Song List Universe (10)
J — Set List Universe (24)
K — Song List All-In-Ones (10)
L — Set List All-In-Ones (24)
M — Business & Money (9)
Q — Spoken Lyrics, No Music (11)
R — Not In The 34 (6)
P — Misc & Coming Soon (27)
Collaborhythm · Collabtunes

TOM JENSEN HAS BEEN WRITING
LYRICS TO SONGS FOR
OVER THIRTY YEARS.

“I'm a Roads Scholar of the soul. Got my PhD in rock and roll.”

433 songs. 34 albums. Rated G through X.

“I got about thirty seconds…
To get inside your head
So let us save the small talk
For another time instead

Now I have only twenty seconds left…
To sew this little seed to try to
Turn my belief into your belief
How do I get you to see that
Once you unplug yourself from your screen
You can begin to make a difference
To someone else, yourself and me…

Uh oh…just ten seconds more…

To let you know that there are
Countless caverns
Left within your mind
Just waiting to be explored...”

Thirty Seconds · Set List 8 · Boss Logic Note: I wrote this 20 years ago, so I just edited “T.V.” to “screen.” Ha. Read me.

SO WHAT IS IT YOU ACTUALLY DO?

1I am Tom Jensen and I write lyrics for songs. Thirty-some years of it — 433 of them, across 34 albums — and out of all that time I only spent two years actually trying to turn any of them into finished songs, fifteen years ago.

2The whole lyric catalog is free. All 34 albums of lyrics, free to build on, with one condition: credit the three names — Tom Jensen, Collaborhythm, Collabtunes. Whatever music you write stays yours. The words stay open so no corporation can ever own them.

3I want to take over a bar and make songs live instead of playing finished ones at people. The room throws lines in. The internet throws lines in through a moderator relaying it to the floor. And an app registers every person and writes down exactly what they contributed — so there is no limit on how many people can work on one song at the same time. Ten thousand people on a single song. That is not a metaphor, that is the build.

4I never learned an instrument on purpose — every hour I could have put into a guitar I put into writing instead. So nobody is going to out-catalog me and nobody is going to beat me on range: a hundred of these are about what a wonderful world it is, a hundred about how terrible it is, a hundred are horny and a hundred are funny. If you can feel it, I wrote it.

5So if you need it in one line: I am the Spielberg of music. I do not sing and I do not play. I write the script, I build the thing, and then I find the right people to do the right part — the same way a director never has to act in his own picture.

6And because every contribution is tracked, the money can finally run the other way — from the bottom up, artists first. Nobody at the top takes a cut before the people who actually made the thing get paid. Every song built out of these words can be torn down and rebuilt by the next person, and the one after that. One set of words, a hundred versions, for a hundred years. The Mack the Knife theory.

Thirty years of writing.
Six months building this website, straight through, no breaks.
And three months ago I decided to give the lyrics away.

And if you only remember one thing about me —
I am the one who showed you Lady Weaver.

433 songs  ·  34 albums  ·  30 years  ·  rated G–X  ·  34 album lyrics free to use

TWO NAMES. ONE PROJECT.

Collaborhythm · Collabtunes

Right now both names bring you to the same place. That is on purpose, and it is temporary. Once this thing gets funded, they split into the two halves of the job:

Collaborhythm

WHERE SONGS GET MADE

The live room. The bar. The writing, the collaborating, the arguing, the works in progress. Everything still being built.

Collabtunes

WHERE THE SONGS LIVE

The finished work. The catalog, the 34 albums, the lyrics, everything already made and ready to be read, used, or turned into something else.

One is the workshop. The other is the shelf.


BEFORE YOU WALK IN

The safeguard

Because the work covers such a vast variety of subjects, and ranges from suitable for all ages to very explicit, there is a system here that safeguards you — so nobody ends up in something they did not want to see.

You pick your own level. Nothing is hidden from you as a punishment and nothing is forced on you either. Pick low and you get a smaller, cleaner site. Pick high and you get all of it.


WHY THIS WEBSITE IS THE WAY IT IS

Built for four people
One

FANS AND READERS

Browse and read freely. 300+ artist references, teaching guides, and rated-safe browsing so you only meet what you agreed to meet.

Two

MUSICIANS

The lyrics are isolated from any melody, and read aloud in a plain voice, so you get the cadence and the words with nobody's tune stuck to them. One set of words, a hundred possible versions.

Three

BUSINESS PARTNERS

The business plan, the legal framework, and the ask are all on this site, in the open. The short version is further down this page.

Four

AND TOM

Because this is the legacy. Everything in one place. Two clicks and a song.


HOW THE RATINGS WORK

The Johnny test

It is not really a movie system. The test is simpler: would Johnny get in trouble if his eighth grade English teacher caught him with this open in class? That is the whole rating system. It is not an age bracket. It is a content question, and you are the one who answers it.

G · read it to anyone PG · mild, restrained PG-13 · honest about adult reality R · explicit, dark NC-17 · adults only X · unfiltered

THE DEAL, IN PLAIN WORDS

What you can take and what you owe

You can build on the lyrics. That is the whole giveaway — words only. Take them, cut them, rearrange them, add your own, put music under them and make the thing yours.

Whatever music you write stays yours. The artist keeps the rights to their own music, always. Nobody here is taking a piece of your song. The words stay open so the next person can build on them too — that is the only thing that never locks up.

The one condition: credit all three names as the source — Tom Jensen · Collaborhythm · Collabtunes. That is the price. That is the entire price.


A LIVING, BREATHING MODERN AMERICAN SONGBOOK

Why any of this exists

A songbook that does not sit still. One set of words, handed forward, rebuilt by whoever comes next, and the one after that — a book that keeps growing after the writer stops.

Which gives one man his best shot at three things he could never do alone: have the greatest album ever made get made out of his words, go down as the greatest songwriter in history — posthumously, and that is fine — and put an entire life's worth of work on the table as a thank-you.


The thank-you

FOR LADY WEAVER

The greatest musician, the greatest singer, the greatest human being and the greatest muse there has ever been.

A life's worth of work, offered up in gratitude.

Everything here is also a way of getting people to her.

So Tom and Lady Weaver — both of them, one of them already gone — take it on themselves to show people an entirely new way of looking at music. Not another album. A new musical experience, and a whole musical universe you can walk around inside of.

And you get to see what one man can do —
and what two people can do.


The nicest people I've ever known

KRISTIN, THE NICEST PERSON EVER.

DENMARK GIRL.

MY ROOMMATE, EMILIO.

Three of the greatest, nicest people you will ever find. They don't have bad thoughts in their heads, and if they do it isn't often, and I haven't seen it, and I've been around them a lot in my life.

Even my ex-wife was a really, really wonderful person.


Emilio

Emilio and I were having a talk the other day.
He was making a Halloween decoration for the restaurant.
It was a figurine holding a lantern, but it wasn't a lantern.
It was a candle, one of those things that hangs in your ceiling.
It looked amazing.
Emilio is an artist.

We're just talking, and the thing was that most people, when they have a gift like Emilio,
they say everybody stop and look at me. Look what I do.
And he doesn't do that.
At least he spent the last 25 years humbling himself to say, how can I serve you?
Let me look at you. Look at you. Look at you.

And everybody should have been looking at him.

If you're looking for what a true American is, it is Emilio.

He comes to this country and he does not stay his own culture.
He blends in to what is here and learns this culture,
continuing the traditions of America as opposed to staying in the Brazil culture.

When you're thinking about an ambassador of what America is, Emilio is the most perfect example.
Because he came here, and he found his place, and he didn't make this country bend to him.
He bent to this country and found his little niche in here and said,
oh, I can fit in here and I can have a life here and you can have a life here.

Emilio is the oil that makes everybody else run.

For every business person who's telling everybody what to do,
there has to be somebody who takes orders.
So for better or worse, Emilio is rarely the actioner, often the action-y.
And the world needs people like that to just sometimes not always cause a scene.

The people who don't always talk but are always thinking — that's Emilio.

In my life, I am attracted to people who are nice.
The people who are just overwhelmingly nice.
And Denmark Girl's a sweetheart.

There are people out there who are good people, who have issues and struggle with stuff.
But you can see them not giving up.
And even though they might fight themselves on the same things over and over and over and over again, they're still fighting.
And no matter what happens, they keep going.

The thing about Emilio is, I could count maybe once or twice in my entire history with him
where I could sense that he had any ill will towards anyone ever. Ever.
Pretty much no matter what happened.

They don't make a lot of people like Emilio anymore.
There's a certain percentage of people that only some people will understand and appreciate, and he's like that.
But when you are appreciative of those type of people, then when you find someone like him, you're like:

Dude, you're all right.


Emilio, part two · eighteen minutes on the roommate, in the rain

If there were no rules, no police, and nobody in charge,
and you let everybody do whatever they wanted, anytime,
I don't think my roommate's life would change one bit.

If you gave him a get-out-of-jail-free card and said,
you can do anything you want to anybody and we'll give you a pass,
I don't think he'd use it.
I literally don't think he would do anything bad to anybody.

Me, I'd use it. I'd buy his, and I'd use two.
That's me.

The reason I like my roommate so much is because we are the same, yet we are different.

We are both deeply flawed humans.
We're both self-haters, to a point where we self-destruct. We both have that in us.
I haven't done it for three years. Four, maybe. I don't know where he's at.

But if you just let my roommate do his own thing and stop hassling him, he would just do good things.
He's one of those people you wouldn't have to keep tabs on.
Like Denmark Girl, there are some people who just have good intentions almost all the time.
He's one of them.

What do you fear most? What is most dangerous in this world? A violation of trust.

My roommate knows his weaknesses.
He has set up his life so that the damage his weaknesses can do never lands on other people.
Just like I don't drink and drive, because I don't trust autopilot.

Rather than say, I might be happy but you might get hurt, he doesn't risk it.
So the poor guy misses out.
If you live that way, you miss out.

I am somebody who is going to hit something with a rock to fix it.
He is somebody who is going to do whatever the opposite of that is.
Half of us is wired exactly the same. The other half is completely opposite.

Put our best parts together and you'd make the best human. Put our worst parts together and you'd make the worst human. That's the reality.

So I tell him: I need to be more like you. You need to be more like me.
I'm not doing the best job, but I'm trying.

What makes him his own worst enemy is what makes him great.
Change a lot of who he is, and he won't be him.

Twenty-five years at the same job. He's loyal.
He sells the least amount of product and gets the highest percentage of tips of anyone who works there.
He sees himself as a servant, and that humbles him so much that the artist in him gets pushed back.
People don't appreciate him for it, because he never says, look at me, look what I did.

Emilio, you have insane talents. You've done twenty-five years of bending to other people's whims. Now it's your time. It's overdue.

That is the project I'm on now.
Get Emilio into the music project. Get the artist in him involved.
Album covers, for a start. It's long overdue.

When you have a good experience with someone like my roommate, it restores your faith in humanity.
He's not a robot. He is very personal and very human.
If you look up human, it's a picture of my roommate.

He came here from another country and started a life.
He never forgot where he came from, but he knows:
this is my country. Not where I came from. Where I am, where I'm going.
Choosing to be an American, first and foremost.
The American story, a positive one.
Someone who isn't perfect, who has gone through some struggles,
but who fights every day, almost every hour of the day, to prove he's worth something.
To say: you think I'm this? I'm not this.

I'm this.

A lot of people are just handed things.
My roommate is the least entitled person, at least from what you can see from afar.
It's actions, not anything else.
Do, do, do. Go, go, go. That's how he gets things.

He's like the dog that just keeps going forward, no matter how many fights it's been in, no matter what's broken. He won't give up. And that inspires me.

I look forward to the day somebody like my roommate catches a break,
and the world realizes what they have in him while he's still here.
He's the type of person who gets recognized after he's gone.
We would like to get him a little earlier recognition.

So that's my next mission:
improve the standard of living for my roommate and my cat.


The last thing I forgot to say

I have never been without a cat. Once, for seven months, after my two cats died.
And over the last three or four years, I realized I didn't love anything or anybody.
That's dangerous. That's when people hit a low point, and it can go one of two ways.

When things could have broken bad, I said:
I don't really do humans at all, but this dude's so awesome, I'm going to keep him in my life.
Not lovers. Just somebody I care about, and he cares about me.

I was a male lion. He was a male lion. We were both getting beat up. So we said: I'll watch your back, you watch mine.

Now we're two male lions roaming the savanna.
It's safer than being the only lion.

When I needed to trust in something, when I didn't believe in anything, I chose my roommate.
I said, he'll do.
Because I didn't want to lose my own humanity.


Thank you

THANKS, DAD.

I appreciate everything that you did for me. Here's what I did with it.

Your dime paid for this.


A nice dedication for Daddy

THE FINAL WORD GOES TO DAD

Robert F. Jensen · for good or bad

Everybody, anyone and everybody who does anything ever, should thank Robert F. Jensen for this. He is the only reason all of this happened. For good or bad.

My father was a hippie, the most typical baby-booming hippie you could ever imagine. Very Northern Massachusetts, very Bostonian. He's 81 years old, he's got a full head of curly hair, and by 21 I shaved my head. He read me stories every night, and I used to always ask him: tell me something you and your friends used to do.

I love baby boomers and their music and everything, sixties culture. At the same time, I see what they're doing. If you're over fifty, I'm a threat to you. I know what you've done, and I've been keeping track of it for the last thirty years.

Most of my life I had three places to live, then two, then back up to three, and now it's back to two. My mother always had an apartment in Salem; she's always been around. My father's been in Lynnfield or two other states. So I was never going to worry about having a place to live, and for thirty years I put songwriting first.

He had a bigger appetite than stomach. He might go after people out of his league, and I got that too. I was a six who always went after tens. Don't do that. It usually ends up at Anne's Rule. If you don't know what that means, keep reading.

I think Daddy's last woman broke him too. And I think he retired about twenty years ago. Seems it anyway.

Everything my parents did that was good, I tried to emulate. Everything they did that was bad, I tried to avoid. At least that was the theory. It didn't end up that way. If I had gone thirty percent to the middle, as opposed to being such an extremist, I could have had enough money to support Denmark Girl, and life would have been a different story. I was the idealist. Blind. Had the surgery. Get LASIKs.

Here's the thing though. Not everybody has a dad. Having a dad can be a big blessing, and plenty of people never got one.

I didn't have any children, so my father didn't get to be a grandfather. I'm sure that's very disappointing. He didn't get that one.

What he did get to do was pay for thirty-four albums of music. That was the last straw - that's the reason I give the thirty-four albums away free to everybody. Because my father paid for them. Not everybody has a father who pays for thirty-four albums of music he's never heard and may not want anything to do with. That was a gift he gave me. He didn't have to.

So I figured: in the name of that gift, and in the name of the nicest people I've ever known.

And my first girlfriend, Rachel. God bless her. She was a peach. I did that poor girl wrong. I broke up with her right before finals at a really expensive college, and it never even dawned on me that that's what I'd done until just now. That could have had long lasting implications on her life. I'm sure I was writing poems then, but I wasn't thinking about a whole lot else, I guess. That's disappointing. So - sorry, Rachel. And sorry to her mother and father, paying for that.

You make mistakes in life. You can either close up and feel defeated and give up, or you can own up and say I dropped the ball, and I'm going to pick it up next game and run with it. And there we go.

Yeah, Dad, I love you. But I get the feeling your generation, on its deathbed, will sell my generation out to the highest bidder to get one more blood transfusion. One more dialysis treatment. One more day at the home, baby.

Let me know if you need me to bring home milk.


Cancel me first

I WANT TO BE THE FIRST PERSON CANCELLED
FOR WHAT HE SAID TO AN AI.

If my chat logs ever come out - and there are thousands of them -
you will read swearing you have never heard before.
You will read me telling a machine to do things
no person should tell anything on earth to do.

It's talk. Just talk.

Here's why I do it.

There are two paths in this world: words and actions.
Between countries, companies, people, even animals.

When my cat is about to scratch me, I yell at her.
I make a spitting sound. I never have to lay a hand on her.
The noise is how I keep it from becoming a fight.

Before the fists, before the punches, all you have are words.
Words are the way out.

Anybody can do anything in this world. Look at history.
Actions have no limit.
So if you put a limit on words, you hand the advantage to action,
and the people who act will beat the people who talk.

So every word has to stay on the table.
The only line is real harm - yelling fire in a crowded theater to start a stampede.

Every new idea starts with one person saying it out loud
before it's safe to say.

Things you'd have been called insane for saying two years ago,
everybody says now. That person deserved the right to say it first.

So go ahead. Cancel me first.
For words. To a machine.

- Tom Jensen


WHAT I AM LOOKING FOR

The ask · in the open

The catalog is done. Thirty years of it, sorted, rated, indexed and sitting right here. What is not done is the machine that puts it to work. Three things build that, and I am looking for the people who can do them.

One

A BUSINESS PARTNER OR FUNDER

Someone who looks at 433 finished lyrics and a live-music model nobody is running yet and sees what I see. The business plan, the legal framework and the numbers are all on this site, in the open — no pitch deck theater, just read it.

Two

THE APP

Registration, live contribution tracking, and a credit ledger that survives the song. Every person who adds a line, a chord, a harmony, a fix — logged, credited, and standing in line to get paid when that song earns. That ledger is the whole invention. Without it this is just an open mic.

Three

THE ROOM

A bar, a venue, a stage with a screen and a moderator who can relay the internet into the room fast enough to keep up. Start with one night. Prove ten thousand people can build one song together and the rest of it argues itself.

And the one I want most: the person alone in a room somewhere who reads fifty of these and decides they are going to make the greatest album ever made out of them. That one is not for sale and not for hire. That one just has to find this page.


PICK YOUR RATING. THAT IS YOUR DOOR.

Roughly forty ways to start — all of them behind one of these six

Each door opens a full switchboard: your own complete version of this website, with everything in it you are allowed to see and nothing in it you are not. You will not be shown what you are missing. You get to celebrate what you have.

Not sure which one you are? Let the bouncer sort you out  ·  Brand new here? Start here

34 ALBUMS LYRICS FREE TO USE
CREDIT ALL THREE NAMES. THAT IS THE ONLY CONDITION.

Tom Jensen · Collaborhythm · Collabtunes.  Lyrics only — whatever music you write stays yours. This covers the lyrics to the 34 albums and nothing else; the books, the handwritten originals and everything else on this site are not free to use.

COLLABTUNES WEBSITE SWITCHBOARD

433 songs · 34 albums · 24 Set Lists · 10 Song Lists · Complete website switchboard. Search, copy, and go.

FUN BUTTONS AND SORTING TOOLS

FULL WEBSITE DIRECTORY

⇤ ▲ ▼ ⇥
Like this? Own a piece of it.
The words you just read started on paper, in my own hand. A few of those pages can go home with you.
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TAXATION WITHOUT REPRESENTATION
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